Our collaborator Bill’s reflection on Saturday’s translation panel at Newcastle Poetry Festival and thoughtful exploration on issues of translation relating to Scots, and English in our experiment.
The panel I took part in on translation at last week’s Newcastle Poetry Festival raised a number of issues of equal fascination to both poets and translators, and, one would hope, readers of both. I found myself as excited by the far-ranging nature of the discussion, and the diversity of approaches of the panel, as I was impatient to think through how it related to my own practice.
From Jean Boase-Beier’s intense engagement with the text, usually solitary, usually focussed on the work of dead poets, trusting to etymology to deepen her investigation, to Erica Jarnes’s discussion of the responsibility of the translator to engage with and represent work outside the Grand Old Men of European heritage – thinking in particular of the Poetry Translation Centre’s representation of the poetry of minority, usually, immigrant, cultures within that European context; from Fiona Sampson’s subtle distinction between the meaning of the words…
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