‘Vaccine’ is a short film by Kate Sweeney, made in collaboration with poet Christy Ducker. ‘Vaccine’ was written as part of Christy Ducker’s residency at York University, working alongside scientists at The Centre for Chronic Diseases. ‘Vaccine’ explores the power of narrative and how the dialectical image works in a poem. The film begins with a recording of a conversation with Dr Mohamed Osman about his research and fieldwork in Sudan. His words are accompanied by free flowing animation. The film moves from this loose conversational style to draw on the imagery and the rhythm of the poem using stark black and white ink drawings.
The film-making process is one of translating the space between words and language into a visual representation or interpretation that allows the poem to breathe within the film. The poem itself is a distillation of language and imagery encountered by Ducker in the laboratories and in conversation with the scientists, whose research centres around the search for a vaccine against the leishmaniasis disease that ravages parts of Africa. Translational medicine is biomedical research translated into a syringe containing a vaccine – something that can be used. It is often referred to as a ‘bench-to-bedside’ approach.
Kate Sweeney is a visual artist and video-maker using animation and drawing in her work. She has a collage-like approach to editing and making videos and tries to utilise video’s capacity to bring together various technical and creative mediums and approaches. She works collaboratively with poets, writers and musicians. Kate has screened and exhibited nationally and internationally including Sydney International Film Festival, London Lesbian and Gay film festival, Zebra Film Festival in Berlin, Manchester Animation Festival and The International Poetry Festival, London.
She is currently undertaking a funded PhD at Newcastle University. Kate teaches and facilitates art, film and animation in a variety of academic and education contexts.
Christy Ducker is a poet and tutor. Her first full-length collection, Skipper, was published in 2015, and includes work commended by the Forward Prize judges. Her pamphlet, Armour (2011) was a PBS Pamphlet Choice. Her commissions include residencies with Port of Tyne, English Heritage, and York University’s Centre for Immunology and Infection. Her most recent publication is Messenger (2017) and she is currently a research fellow at Newcastle University’s Institute for Creative Arts Practice.